I spoke with Ceci Moss at Gas, a mobile art gallery that roams Los Angeles and the web, about different forms of self-tracking: the technological promises and economic precarities, moral injunctions and everyday habits… found here.
We have to ask not only ‘is this really empowering or not’, but also ‘what is it about our society that makes us feel like we need to empower ourselves in this way?’ In the same way, we have to ask what kind of new labours, new troubles, new responsibilities, new guilts, that these empowering activities bring to our doorstep. From an economic perspective, if you are someone who has to constantly sell one’s productivity to the market, the ‘empowerment’ of self-tracking and self-care becomes a necessary labour for one’s survival. The injunction to ‘care for yourself’ is a truncated version of ‘you’ve got to care for yourself to stay afloat, because nobody will do it for you.’
The interview is part of their ongoing exhibition:
take care | June 9–July 20, 2018
Featuring: Hayley Barker, Darya Diamond, Ian James, Young Joon Kwak, C. Lavender, Sarah Manuwal, Saewon Oh, Amanda Vincelli, and SoftCells presents: Jules Gimbrone
How do radical ambitions of “self-care” persist or depart from capitalist society’s preoccupation with wellness and the industry surrounding it, particularly when filtered through technological advances? How can we imagine personal wellness that complicates or diverges from capitalist and consumerist tendencies? Taking its name from the common valediction, which is both an expression of familiarity and an instruction of caution, take care, is a group exhibition that considers the many tensions surrounding the possibilities of self-care.